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Monday, February 28, 2011

[AlternativeAnswers] Massage and Music: The Marriage of Touch and Harmony

 

Good Morning!

Massage and Music: The Marriage of Touch and Harmony

We already know that the power of touch can register on so many levels of our physical, emotional and spiritual bodies. Touch therapies are the connection between matter and etheric levels of our energy. The greatest expression of acknowledgement can be as simple as the laying of hands on another to comfort, to love and to heal.

Adding music and its therapeutic aspects, can bring together the power of heighten awareness, moving the healing process to another level.

As a massage and music therapist, I have had the pleasure of having both in my life for over 20 years. In a massage session, it is a part of the ritual to have soothing music playing during a session. But how many of us have any awareness of the music as it applies to your massage work?

Working with the power of music can add another level of transformation for the patient. They may not even realize what the connection was, once they get off the table, but are acutely attuned to how much stronger, aware and better they feel.

Knowing some basic music terminology is not really necessary as a massage therapist, but I know on some level, you can be astutely conscious of when the music crescendos (gradually rising in volume) or decrescendos (gradually lower in volume). You can here the tempo or pacing of the music and understand how to work within this tempo.

Bringing the music into your hands and allowing it flow out through your instrument can translate through the patients body into the most moving and therapeutic journey they can experience.

Know your music. Be aware of its tempo, its highs and lows and how it is build by phrase and chorus. Knowing your music allows you greater interpretation of its flow as you give your massage.

Tips for the Marriage of Massage with Music:

1. Flow and rhythm are the two most important aspects of a massage.

2. These are two of the most important elements in music, as well.

3. Relaxation has an average tempo of 30-60 beats per minute. This is a musical composition in adagio tempo. When choosing music for your sessions, this is a good thing to look for.

4. Working with the music gives a sense of being in sync with the body. For example, as the music crescendos or rises, your hands can follow, moving up the body or moving up the scale (a selection of related notes placed in ascending order by pitch).

5. As the music decrescendos or descends, your hands can follow by moving down the body or moving down the scale (a selection of related notes placed in descending order by pitch).

6. If you have music playing and the next song changes in tempo, speeding up, you can move your hands not with the tempo but by decreasing your movement by moving in half time (half the tempo of the beats in one measure or phrase).

7. Sometimes, when your music is moving on to the next song, there is silence between the musical tracks. This silence can be awkward unless, you continue your hand movements as though they are expressing the same music. It is as if your body takes over for the rhythm of the silence and can be very moving to the therapist as well.

8. Starting on a new muscle group immediately after the above silence between songs can be very affective if you start on the down beat of the music. (The first beat; given by the conductor with a downward stroke or the "and" of a new phrase).

9. In some portions of the music you may be playing, there are accents or a Marcato (an emphasized note; or heavily accented phrase). Utilize this with your massage technique. This works well on the extremities such as hands or feet.

10. An Arpeggio (describing notes in a chord played individually (one after another) as opposed to simultaneously) coordinates beautifully when working on the spine or hamstrings.

11. In Italian, Camminando (following easily and gently) or in Spanish (meaning to walk) can be a free and easy technique when transitioning from one muscle group to the next.

12. And Harmony (the sounding of two or more tones simultaneously; or the vertical aspect of music) is our ultimate goal in any touch therapy.

So, next time you are giving a session to your patient, don't just put on some music and expect it to do the work for you. Engage along with the music to enhance the power of your touch and to bring your patient to yet another level of their healing journey, and yours!

Andrew Pacholyk, MS, L.Ac
http://www.peacefulmind.com/massage_products.htm
Therapies for healing
mind, body, spirit

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[AlternativeAnswers] Stomach Parasites

 

What products work best to kill stomach parasites?

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[AlternativeAnswers] Master the Three Gunas

 

The Three Gunas: The Metaphysical Grounding of Physical Reality

By Sri Dharma Pravartaka Acharya

The empirical reality that we perceive around us is composed of matter. Whether we are referring to the buildings we reside in, the many possessions we strive for, or the very bodies with which we so intimately identify, all objects are composed of the prakriti, or the prime material energy, of God. Of the many qualities that are discernible in prakriti (matter), the essential feature encountered is that of transience. Matter is in a constant state of flux, a continual cycle of becoming, being and dissolution. Thus everything that we perceive around us, though seemingly stable, ultimately is destined to cease existing.

Prakriti, herself, is not a purely undifferentiated field of substance. Prakriti consists of a substratum of three different modes, each one dependent upon the other two for their mutual existence and proper functioning. These three modes of prakriti, or material energy, are also known as the three gunas, which in Sanskrit (the ancient, sacred language of Sanatana Dharma) means "qualities" or "modes."

In the two verses from the Gita that are quoted above, Shri Krishna (the incarnation of God) gives Arjuna a glimpse into the nature and power of the three gunas of which prakriti, or prime matter, is composed. This triad of material modes consists of 1) sattva (positivity, purity, goodness, wholesomeness), 2) rajas (passion, energy, movement) and 3) tamas (negativity, lethargy, darkness, ignorance). These three aspects of material energy exist as the very core of all empirical material phenomena. They can be seen as being three different modes in the spectrum of the one primary material substance. They represent the unitary material substance in three different, yet completely interdependent, frequencies or states.

Every aspect of material phenomena that we perceive around us - including our own body - is composed of a combination of these three gunas, with one or the other of these three gunas predominating. Thus everything in the material world, including us, is effected by the interplay of the gunas. We will now briefly examine the primary characteristics of each of the three gunas.

We will begin this exploration of the gunas by examining the guna which the Bhagavad Gita considers to be the highest quality: sattva. Sattva can be translated as "goodness." This guna denotes such qualities as purity, brightness and essence. It is also light - both in the luster of its radiance and in terms of its actual weight in terms of physics. Thus, individuals who are of a spiritual, clean (both physically and mentally) and peaceful nature are said to be living a sattvic existence; they are residing in goodness. Sattva is the quality most sought by all spiritual practitioners. Every sincere yogi, without exception, strives to be sattvic in all of their thoughts, their words, and their actions.

The next guna is rajas. Rajas denotes activity and movement. It is the mediator between the other two gunas, as well as their empowerer. For without the kinetic assistance of rajas, neither sattva nor tamas can act. It is rajas which motivates the individual to labor and which inspires work. Those persons in whom rajas predominates tend to be of a fiery and passionate disposition. While a certain degree of rajas is always necessary in order to facilitate any sort of activity, too much of this quality makes one restless, thus hampering the focused concentration that is necessary for meditation and other forms of disciplined spiritual pursuits.

When the material energy (prakriti), through the medium of rajas, becomes turned to its lowest frequency, it is then known as tamas. Tamas has the characteristics of dullness, ignorance and inertia. It is a dark mode, both intrinsically and in the consequences it brings about. Due to its heavy, weighted nature, it provides stability, and its solidity forms the very foundation of matter. Tamas is the source of obstacles, resistance and obstructions. Tamas brings about cessation. Those who are of a tamasic nature tend toward lethargy, procrastination and self-destructive behavior. It is the end point of the descent and devolution of prakriti. It is, thus, the very antithesis of sattva. Those wishing to make any sort of meaningful spiritual progress must thoroughly avoid tamasic tendencies.

These three interdependent strands of the material substance are different aspects of the same energy, which in turn is under the full control of the Supreme Godhead, Bhagavan Sri Krishna. Sattva is the finest frequency that prakriti adopts. Rajas is the intermediate catalytic energy source. Tamas is the resting place, the dullest mode of material energy. The qualitative hierarchy of the three gunas can be visually represented in this way:

THE THREE GUNAS

Sattva = goodness
Rajas = energy to act
Tamas = lethargy

The practitioner of Yoga seeks to ultimately transcend these three gunas completely, and thus be liberated from illusion (maya) by a systematic process of gradual progressive ascent. This spiritual ascent occurs in several stages.

The first stage is to determine which of the three gunas presently predominates one's life, thought and actions. If it is determined that either rajas or tamas is the strongest influence in one's life, then the next step is to rid oneself of these negative influences. This is done by leading as sattvic a life as possible. There are several lifestyle choices that are recommended in order to make one's life more sattvic. This sattvic program includes the following:

The Sattvic Program

1) Practicing the philosophy and disciplines of Yoga on a daily basis. This includes following the ethical virtues taught in the path of Yoga spirituality (such as non-violence, not stealing, not lying, etc.), as well as the asanas, or psycho-physical exercises of Yoga.

2) Having a purely vegetarian, healthy and organic diet. A purely sattvic diet is lacto-vegetarian, that is, avoidance of all meat, fish and eggs (dairy products such as milk, yogurt and cheese are acceptable). Such a diet will increase one's health, stamina, intelligence and bring about peace of mind.

3) Ridding one's mind of all negative, violent and disturbing thoughts and images. This is done, for example, by avoiding violent entertainment, ridding oneself of feelings of vengeance and hatred, and filling one's mind with thoughts of God instead. The music we hear also effects our consciousness. We want to avoid music that is charged with explicitly sexual (tamasic) or violent (rajasic) lyrics, such as "rap" and "hip-hop", and instead listen to bhajans, kirtan, and uplifting music of different forms.

4) Meditating daily. In order to have a sattvic existence, we need to purify and still the mind. This is best achieved by having a daily practice of meditation and prayer. The most powerful form of meditation is a practice that focuses on the names of God. Aum Namo Narayanaya is the most powerful and purifying of all mantras. Meditate on these names of God daily.

5) Associating with others who are also leading a sattvic lifestyle. We are all consciously and unconsciously influenced by the nature of the company we keep. If we associate with tamasic or rajasic people, we in turn become tamasic or rajasic. But if we associate with those who are sattvic by nature, then we cannot help but be positively influenced by them. Always avoid the company of bad people, and always seek the company of the good.

By strictly and enthusiastically following this Sattvic Program, we can gradually transform our consciousness from one of self-destructiveness into one of positive spiritual attainment.

As Sri Krishna explains in the Bhagavad Gita, or "Song of God," the position in which we presently find ourselves as human beings is a state of self-imposed separation from the loving will of God. Rather than recognizing our true ontological nature as beings who exist in an eternal, loving relationship with the Absolute, we have instead become subject to the illusion of separation from God. As long as we are under this false assumption of separation from God, we will be under the binding influence of these respective gunas.

Upon consciously and freely surrendering our lives to Sri Krishna, however, we then reclaim the ability to transcend the gunas altogether, and to achieve a state of radical freedom from all material influences, sufferings and illusions. This state of spiritual liberation is known as moksha, Freedom, a state in which we have full knowledge of our true selves, complete personal fulfillment and bliss beyond compare.

About the Author

Sri Dharma Pravartaka Acharya (Dr. Frank Morales, Ph.D.) is universally acclaimed as one of the world's most respected and qualified Dharma teachers and Hindu spiritual leaders alive today. He personifies what it means to be a true and authentic guru.

Aum Shanti Shanti Shanti

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